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Bob Lefevre & the Already Gone

by Bob Lefevre & the Already Gone

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    Recorded by Chris Beeble at the Blasting Room, Mastered for vinyl by Dave Gardner at Infrasonic Sound, photographed and designed by Scott Badham and pressed into 150 grams of gorgeous black vinyl.

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    Recorded by Chris Beeble at the Blasting Room, Mastered for CD by Dave Gardner at Infrasonic Sound, photographed and designed by Scott Badham and burned into shiny plastic with goddamned laser beams.

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1.
Goddamn the kind of man who could put a price upon it you don't have to see his eyes to know the look With a heart that finds its place in ever holding others down and its worth in every dollar that it took There's nothing in the way that he could say a thing to clean it it's clear that he ain't got a thing to lose Just sit on hands, set the flame, bet on it and and lay the blame on anyone who really paid the dues I know the world will come around and break your heart one day Break your heart one day, break your heart one day Don't ever let it hold you down, no matter what it weighs No matter what it weighs, no matter what it weighs Don't let 'em stop you breathing though I know what they will say I know what they will say, I know what they will say Don't let it drag you under now, no matter what the weight No matter what it weighs, no matter what it weighs She takes a breath and dives into the current of the sidewalk and shifts her daughter to the other hip She feels it stiffen in her joints, the job to job, to breaking point and wonders if she'll ever really live They try to make the moment about the moment yet to be spaced just wide enough to keep you on your feet She puts the day to bed and then she finds a way to rise again and try not to remember what it means
2.
It Ain't Me 03:56
My conscience has been rattling the windows, Like wind down the snowy range across the plains These aren't the kind of things that I had wanted to get into, But I'm trying to explain My tongue is tied from angry words I fell to, and now all I taste with it is salted ground, ok and things that I had come to see as truths that I had held to were just words in my mouth But maybe now, when the past has grown too big to ignore, the weight of what's to come has broken down the door And the how, and the why of the man I came to be, It ain't me, it just ain't me Pride was busy boarding up the windows against a message that was dying to get in Not the sort of things I'd ever thought of getting used to, But I'm trying to begin Now I've no use for who I used to be then Standing there on what I took for hallowed ground I cannot rectify now things that I tried to pretend were true, after everything I've found So now, when the past has grown up too big to ignore, And the weight of what's to come has broken down the door, Ad the bitter irony of the man I used to be Ain't lost on me, it ain't lost on me Maybe now, when the past has grown too big to ignore, The weight of what's to come has broken down the door And the how, and the why of the man I came to be, It ain't me, it just ain't me
3.
Like the Sea 04:02
I know you, you are like the sea and the ebbing of the tide will sweep you far from me When your arms stop holding me and the turning of your heart makes clear what you mean When you say, 'I got better things to do than wait for you, to find your way' As you lay, on the bed where we were lovers once, and future kings and queens all that we surveyed Your head hanging down as you lie back and sigh, saying, 'I could try... but in the time that it would take me to explain... you're gone again.' The walls that stand around me, love are nothing but a space in which I held you up Where you stayed with me a time and whispered all the broken parts that made you mine Where I said, 'From the kitchen to the bed might be the only place I ever need to go' And the corners of your mouth, turned to north from south, and I counted it a win, though I guess I had to know you were counting down the days, you were adding up the ways, you were marking time, so you could make an honest claim that you had tried... before it died So you say, 'I got better things to do than wait for you, to find your way' as you lay, on the bed where we were lovers once, and future kings and queens of all that we surveyed your head hanging down as you lie back and sigh, saying, 'I could try... but in the time that it would take me to explain... you're gone again.' I know you, and you are like the sea and the ebbing of the tide will sweep you far from me
4.
Raven Lee 04:47
The swing out on the porch helps her to get away, when she's got no one to get away with While her mama's entertaining some new man with berry wine and using what she has to sell to pay the rent Down an empty road through barking dogs and summer heat to a town where there ain't much at all to see You can picture future women who will hate her years now, but they don't mean a thing at all to raven lee I said, 'I'm done with thinking now, gonna kick it like bad habit' Raven Lee knows where it leads and by now I think she's had enough of it If I could get this useless tongue to throw a word out past my teeth There are things that I would say if I could hold her eye and keep the sense to speak She said 'You men are always breaking things they don't know how to fix, and when they find it broke, they always end up gone' 'I don't want to fix the world,' I said, 'but maybe just the little part that you and I will have to live on' She said, 'I see you getting pictures in your head you think explain it, but from the start you knew just what this was, Keep it straight that I'm just me with no responsibilities for what anyone else in this round world does'
5.
Too Far Gone 04:35
You been looking at my face like a lost dog poster like you know you seen it somewhere but the memory's ghosted and the time you spent in getting to the point was better spent in gettin' gone I been staring at my hands for the last four hours while we stutter out excuses and think we we have the power to fix this thing that never worked and never has been anything but wrong But you only have to see it once, to know the end is come for us You try to call it back, but it's too far gone You only have to choke it down, the bitter taste to get around to where you see the end and it's too far gone So you been staring at that watch like you think that it'll save you like the time could speed ahead a while, or roll around back into the only place in all of this where anything was making any sense When you only got the bad news now to set against the good news then and a momentary understanding of the past to tell us when everything that came before the only part that ever stood the test
6.
Bad News 05:50
Been walking the floor, I been drowning in tears and it seems to me, that basically, the part where I get over this will easy set me back a couple years The house, the plans, the reaching hands, all in a place I understand, I just can't open the door So I guess I'll look away 'til I don't miss it anymore And everyone says give it time, grief an ever fading line, 'til you feel better one day And I'd be more inclined to pay it mind if I could see the sense in trying to let you go in any other way Too much of you has been left behind for me to go there anymore, too much for me to keep from breaking down Too much of you is left behind to bear a minute in this town So I tell my friends, they’re gonna come to see the way it's gonna be Yeah, it's the bad news hanging over everything, and at all at once, I come to find you hanging over me Years fly by, nights drag long, this one finds me years from you And the train rolls on, though the engine is gone, and I find myself with nothing left to do Too much of you has been left behind for me to go there anymore, too much for me to keep from breaking down Too much of you is left behind to bear a minute in this town So I tell all of my friends, they're gonna come to see the way it's gonna be Yeah, it's the bad news hanging over everything, and at all at once, I come to find it hanging over me So I’m saying it's fine, you know I'm coming unmanned 'Cause I'm a liar, I'm a liar, I'm a liar when it comes to you, and when it comes to the things that I can stand
7.
You hung around the main streets of Nebraska and found yourself for years in Baton Rouge And five years on the west coast followed after never moved you closer to the truth Ten years on from now when they come asking what drove you to the byways in your need? There never was a place that you called yours 'til it was gone they all been a place to leave But the sigh of the front door brings you home where you only ever thought of leaving from Ten years ago you knew that there was something you were after but now you know that it was home, all along Years were given over to disasters and natural though you named them they were you In retrospect you named your lovers captors the most usual of suspects, it is true You said you needed time to be alone there and told them you were only passing through When you found yourself alone and ten years after the laying of the blame was square on you Years have come and gone since you were last here hand held to your brow against the sun The shadow of yourself is cast against these walls and always will no matter where you run But the sigh of the front door brings you home where you only ever thought of leaving from Ten years ago you knew that there was something you were after within these walls it seems the feeling's gone 'Cause the sigh of the front door brings you home where you only ever thought of leaving from Ten years ago you thought that there was something you were after but now you know that it was home, all along
8.
An eight year old kid, got a lisp inside his mouth and his open heart don't understand a world that laughs at what comes out He's supposed to want it but he don't know what being cool is for, what it's for Yeah he's standing at the tipping point, and don't know what the disappointment is for, anymore and all the years he's living in are coming back to haunt again Put a pin in it, to pay the rent if you can only stand to hold it down a while or circle back around some day and hope that you can understand it then Put a pin right through, into the ground If don't know where you left, what hope is there for you to find the place again? In a pay phone booth I watch him stand, book torn into nothing hand on the receiver, down in nineteen ninety something but there ain't a call that he can make, and this ain't something he can take again, and again Yeah, he knows he's at the tipping point, and he won't stand for disappointment then, not again So he splits into what came before and all the years he's headed for Victims of our circumstance, the years recede, as years advance The rub of it is what was left, anticipating what was next Waiting on another shoe that's never gonna be time will roll ahead without you knowing what it means

about

Recorded and mixed by Chris Beeble at the Blasting Room, Fort Collins, Colorado in November and December, 2019

Mastered by Dave Gardner at Infrasonic Sound, Los Angeles, California

Photographs and design by Scott Badham

credits

released November 12, 2020

Bob Lefevre - vocals and guitar
Scott Badham - guitar and vocals
John Poland - acoustic and electric guitar
Seth McGee - bass
Mike Krupp - drums

Additional backing vocals by Laniece Schleicher and Elianna Paninos

All songs written by Bob Lefevre p & © 2020 Bob Lefevre. All rights reserved.

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Bob Lefevre & the Already Gone Laramie, Wyoming

Bob Lefevre - Vocals and Guitar
Scott Badham - Guitar and Vocals
Larson Lind - Bass
John Poland - Guitar
Mike Krupp - Drums

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